(#3 of 3) Making the Video, the Anderson & Roe way

In the middle of December 2006, we devoted three frenzied days to the process of filming our own music videos. There was never a dull moment—in general, when the two of us start throwing ideas around, mischief inevitably ensues. We threw caution—and our dignity—to the wind, and we had great fun pushing the boundaries!

Equipped with Liz's mom’s modest camcorder, various “costumes,” no budget, and a few awesome friends as extras/cameramen/bemused spectators, we set to work on our first video. (Watch it below!)

The music: A New Account of the Blue Danube Waltzes

The location: Yale University

Greg in grey, Liz in black:

Filming this video proved to be difficult on multiple levels. While we managed to film the other two videos in a matter of a couple hours, the variety of venues, the difficulty of the piece, and the continual suppression of laughter necessitated three days of filming to capture the footage we wanted.

The piece itself is unbelievably difficult to play. Believe it or not, it's even harder than it looks. In its totality the piece is exhausting to perform, but even filming sections repeatedly tested every ounce of endurance and focus we had! Yes, we only have ourselves to blame.

…sigh...

An unexpected difficulty, for me especially, was acting and playing at the same time. I need to look at the keys if I have any hope of playing the right notes! How can one be expected to gaze rapturously into Liz's eyes while assailing the piano with virtuosic aplomb? Hmmm? Needless to say, those within ear range of our video shoots were privy to what easily could have been confused with a cow giving birth.

Difficulties were indeed the hallmark characteristic of the filming process, but for me the element of absurdity was (yet again) the most salient trait of this experience. But don't get me wrong: we fully embraced the embarrassing situations we put ourselves in and had a grand time enacting a shamelessly sentimental romance within an idyllic setting. I can't tell you how many times the takes were ruined by fits of laughter (mine, mostly). My loopiness was balanced by Greg's typical state of single-minded concentration, but his focus too was leavened by interludes of giddy hilarity. I'd like to blame our nonsensical behavior on fatigue and stress, but all excuses aside, the truth is that we both have tendencies toward inordinate silliness, especially when we are around each other! Whether or not this is a good thing, we always manage to get our mission accomplished, and laughter is good for you.

The filming of this particular video also left me with heightened respect for actors because it certainly is strange to portray stories and situations that contradict reality. The most awkward moment of all: "the kiss." We're close in real life, but not that close! We had to artfully devise ways to make the scene work because we certainly weren't willing to completely sacrifice our wonderful, platonic relationship for the sake of "art."

(Still, I might have a future as a thespian after all; as the outtake reel shows, random people on the street seemed to believe that I really dropped my glove by accident!)

Hi! It's Greg again. I just thought I'd add another difficulty to the list: editing the video. Mac's iMovie is a fantastic program, but I don't think it was designed to make elaborate Anderson & Roe music videos. The video clip viewer is intended for maybe a dozen video clips, and not the thousands (perhaps hundreds of thousands!) of video clips that made up our latest video. Every time I wanted to find a particular clip ("I know it's here somewhere!!"), I spend upwards of six to seven minutes sorting through clips of us dancing, playing, acting, and mostly, messing up…

On a less facetious note, Greg and I hope that the video and the music generate the same kind of dizzying, whimsical, glorious enjoyment that the waltz evokes.

Enjoy the beautiful spring weather!



Click here to watch the outtakes!

Cabaret at The Rep

It's Greg here, commenting on our latest concert in Milwaukee, Wisconsin - an awesome cabaret-style event with an awesome audience! We were so fortunate to premiere our new depiction of Saint-Saens' zoological fantasy in a theatrical setting populated with joyous listeners.

Our latest composition is a completely new take on Saint-Saëns' Carnival of the Animals. This is not the Carnival of the Animals you heard in your third grade music class, even though it's based on some of the familiar melodies from the original score (in addition to a whole lot more). The piece attempts to go beyond a simple musical depiction of animals; in fact, it has more to say about humans than anything else...

The premiere went remarkably well, considering the rush to compose and prepare it in time. Yes, there were a few lost notes here and there, but we compensated with our characteristic first-performance adrenaline and spontaneity. I am, nonetheless, quite embarrassed to confess that I completely lost it when Liz began speaking in a pseudo-European accent during the text to "Homo pianisticus!" "Keep a straight face, Greg! Keep a straight face!"

If we learned one thing performing at The Rep in Milwaukee, however, it was this: don't let your audience select and arrange a portion of your program for you. In theory, it was a great idea – it allowed audience members to interact with us and it gave them a say in the shape and content of the program. But in practice, the results can be downright merciless to the performers!

Audience members were given a ballot to fill out during the first half of the concert.

"Please vote for three of the following works. The three or four pieces to receive the highest number of votes will be performed by the Anderson & Roe Piano Duo during the second half of the program."

What did the audience choose? The fastest, most technically challenging pieces on the list! Do we blame them? Of course not! Is it physically possible to follow the first impression from our Star Wars Fantasy with the "Dance of the Earth" from The Rite of Spring and our arrangement of Piazzolla's Libertango? Well, barely!

Regardless, the "Audience Votes" section of our concert kept us on our toes, and we were sure to conclude the concert with an unhurried encore.


If you were in attendance, let us know what you thought!